Robert Pattinson on the cover of Vanity Fair

October 31, 2009 at 9:18 PM (Robert Pattinson)

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Twilight Inspired Halloween Costume

October 31, 2009 at 9:13 PM (Twilight)

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Robert Pattinson Vanity Fair Video from Extra

October 31, 2009 at 7:01 PM (Robert Pattinson)

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Taylor Lautner in LunaTeen Magazine

October 31, 2009 at 4:05 PM (Taylor Lautner)

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Happy Halloween!

October 31, 2009 at 4:01 PM (Uncategorized)

Happy Halloween Everyone!
Have an amazing time and be safe!

You can share this with your friends using the code below:

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Kristen Stewart and Taylor Lautner arrived in Brazil

October 31, 2009 at 3:00 PM (Events, Kristen Stewart, New Moon, Taylor Lautner)

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They arrived at Guarlhos airport in Sao Paulo, to promote New Moon, on teatheres November 20. Both will give a press conference on Sunday (Nov. 1th)

Kristen & Taylor, waited for one hour inside the landing area of the airport, to dissipate the fans, but the plan didn’t work.. Kristen appeared to be desperate with the crowd – the bodyguardias tried to take them by another gate, to dissipate the fans, without success.

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Hot Topic Shop

October 31, 2009 at 1:54 PM (New Moon)

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Twilight Saga Fan-Site©

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Twilight Scene It Game!

October 31, 2009 at 1:31 PM (Twilight)

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Robert Pattinson VF Spread Preview

October 31, 2009 at 8:27 AM (Robert Pattinson)

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Robert Pattinson’s Pre-Twilight Audition for How to Be

October 30, 2009 at 10:16 PM (Robert Pattinson)

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New Kellan Interview with Vanity Fair

October 30, 2009 at 10:10 PM (Kellan Lutz)

Twilight Saga Fan-Site© How do the Cullens rev each other up before shooting a scene?We really have everything down. We dissect it through rehearsals before we go about it. When we’re on set, we kind of joke around, and when we’re rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on New Moon.

Read the entire interview HERE at Vanity Fair.

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Robert Pattinson on the Cover of Fabulous Magazine

October 30, 2009 at 10:03 PM (Robert Pattinson)

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Robert Pattinson is Bothered

October 30, 2009 at 4:51 PM (Robert Pattinson)

[clearspring_widget title=”Halloween” wid=”4727a250e66f9723″ pid=”4aeb51d6a30d9a4d” width=”384″ height=”283″ domain=”widgets.nbc.com”]

Video Recaps | Full Episodes | Webisodes

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New Moon Interview with Dr. Carlisle Cullen (Peter Facinelli)

October 30, 2009 at 3:54 PM (Peter Facinelli)

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David Slade Tweets

October 30, 2009 at 3:40 PM (David Slade)

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Twilight Saga Fan-Site©

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Chris Weitz and Alexandre Desplat Share Musical Secrets

October 30, 2009 at 5:30 AM (New Moon Soundtrack)

Twilight Saga Fan-Site©

“The Official Twilight Facebook page and Twilight Source were on hand to experience two panels devoted to a behind the scenes look into the making and popularity of the series’ soundtrack and instrumental score. The first discussion involved Alexandra Patsavas (Chop Shop Music), Livia Tortella ( Marketing, Atlantic Records) and Paul Katz ( Music Consultant, Summit Entertainment, LLC.) These “masterminds” behind the multi-million selling soundtrack to “Twilight” discussed how exactly they put together the newest ensemble of songs for the film’s sequel, “The Twilight Saga: New Moon.” Production of the soundtrack started back in December of ‘08, which gave the team roughly 8 months to put together another best-selling product. The main priority for this soundtrack was that the group wanted to find artists who would embody the “Twilight” culture, work with the franchise and bring everything they have back to the fans. Paramore did it with “Twilight” and the likes of Death Cab for Cutie, Thom Yorke, Lykke Li complete that notion with “New Moon.” Patsavas and Tortella also commented that with “Twilight” they did the artist and band searching, but this time around there were so many offers from mainstream bands to “Twilight-inspired” artists. Twenty CD’s worth of material were submitted by artists for consideration to be a part of the project. The producers worked with Chris Weitz, the film’s director and the bands/artists up for feature on the soundtrack with showing them certain scenes and then asked them to write a specific song to coincide with that emotion. With this, the music producers felt it would bring more of a personal aspect to the song because the song was truly designed to encompass the range of action and emotion in a scene. According to Patsavas, “the reason why the music on this (soundtrack) fits so well is because Chris Weitz sat down with the artists telling them how he would like the scenes to feel.”

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